Falling Into Silver
Stark makes modern.
Metallic backgrounds are tricky: sometimes too cold, too reflective, too much.
On silver, the figure and the hearts remain sharply separate — almost like cut-outs refusing to blend.
It’s a graphic clash by design. The space doesn’t dissolve into atmosphere; it holds its parts apart.
That starkness becomes its own rhythm: a man falling, hearts trailing, each element standing alone, yet still forming one story.
